Movies

Skyfall: Spoiler Edition!

Okay, I hate the Skyfall post I did last night because I hate talking vaguely about movies. I hate it. I hate saying shit like so-and-so gave a “great performance.” It says nothing, informs no one. I might as well be saying boring shit like “beautiful cinematography” and “sweeping score.” What am I, a film critic?

So, let’s get into some Skyfall spoilers, below. Note: Skyfall spoilers will contain a great many spoilers for Skyfall.

[Read more...]

Movies

Skyfall

Kris and I saw Skyfall last night, in IMAX!

First, a word about IMAX! Hey, IMAX! That is quite a big screen you have there. And the sound is incredible. Well done. Not so well done: charging us $35 for two tickets and still making us watch advertisements, including an advertisement for IMAX! which we are obviously already sold on because we’ve already bought $35 tickets and are sitting there waiting for the IMAX! advertisement to end so we can watch the movie we bought $35 tickets for. In IMAX!

That said, IMAX! is completely glorious and I want to see all of the rest of the movies ever made in/at it forever. IMAX!

Anyway. Skyfall! It was really good, I think. I won’t do spoilers, I’ll just say Daniel Craig continues to be a great James Bond, Judi Dench was once again great as M, and some additional characters were added to MI6, all well-cast and enjoyable. Plus, Adele’s theme and the opening credits were a return to real Bond form. Though Adele tried to rhyme “Skyfall” with “crumble.” Doesn’t quite work. Still, a million times better than Jack White’s song for the last movie.

And hurray! Finally, FUCKING FINALLY, a great Bond villain for the new Bond franchise. Javier Bardem’s character is great: unsettling, menacing, vicious, and yet at times sympathetic and funny. They created a great villain, and Bardem gave a great performance.

It’s about time. Nothing against Mads Mikkelsen in Casino Royale as Le Chiffre (French for “The Chiffre”). I think Mikkelsen is great and he did fine with the role, it just wasn’t much of a role. You can’t just give a dude a gooey eye and plop him at a card table and make him a classic Bond villain. As for Quantum of Solace, some actor whose name I don’t know played a villain whose name I don’t know and his big plan was to make Bolivian citizens mutter curse words when they got their monthly water bill. Lame.

I think they did a good job of making Skyfall a personal story for Bond and a broad story of global terrorism at the same time. It’s a bit long, it suffers from a case of Computers Can Do Everything Because of Hacking, and there’s a couple other problems with it, but I can’t discuss them without spoiling stuff. I really dug it, though.

Movies | Television

Movies I’ll Always Watch If They’re On

I was flipping around the TV channels tonight, and saw they were showing Predator on AMC. Well, that’s my evening, right there. I’ll always watch Predator. Always. If it’s half-over, if it’s just starting, if it’s the final few minutes… if it’s on, I’m watching it. If it’s on again tomorrow night, I’ll probably try to catch the parts I missed tonight, and depending on my laziness, I might just watch the parts I didn’t miss tonight, again. I think everyone probably has a few movies that, if they come across them on TV, they’ll always watch, no matter what.

These movies are generally not even what I necessarily consider my favorite movies. I tend not to own these movies on DVD (I don’t own Predator). A few of my favorite movies that I own –Blade Runner, Brazil, Seven, Das Boot, L.A. Confidential, No Country for Old Men — I rarely watch, maybe once every couple years. And I don’t watch them on if they’re on TV.

While I was watching Predator, I started trying to picture a movie channel line-up filled with my Always Watch movies that would keep me on the couch a full 24 hours because I can never pass up watching any of them. Here’s what I came up with.

What’s on your Always Watch line-up?

Movies

Some Spoiler-Free Words About “Looper”

“I don’t want to talk about time travel.” — Joe (Bruce Willis), in the film Looper

“I kinda do.” — Me, in the audience of the film Looper

(Note: There will be no spoilers here, the only real information I’ll be talking about are things evident in the movie trailers.)

There were two things I knew about Looper before I saw it. Both of those things were revealed in the trailer for the film, and both of them worried me, because both of them seemed pretty stupid. I’ll get to both of those things in a minute. First, some praise!

Looper is a GOOD MOVIE. Go see it. It’s interesting, entertaining, funny, exciting, violent, cool, thought-provoking, and best of all, completely surprising, and you should definitely go and see it, despite all the paragraphs of whining you’re about to endure. Or, don’t endure them! You don’t really need to keep reading, because if you just go and see Looper, you’ll probably enjoy it. I don’t want to say much else about it, other than the two things I will go on to say, because it’s best to go in knowing as little as possible.

Now, the two things I knew about Looper before seeing it. The first thing that worried me was the general premise: in the future, the mob controls time travel, and uses it to send people back in time to be killed by hitmen. Before I saw the movie, this just seemed patently absurd. And, having seen the movie, it is still patently absurd.

Look, I can see the mob controlling, say, gambling, prostitution, drugs, weapons, maybe even politicians. Maybe even secretly controlling some sort of science, like a pharmaceutical lab or maybe some kind of high-tech gadget firm or something. But time travel? Which would be the biggest and most important scientific discovery ever? That seems about as plausible as the mob controlling space travel. I just can’t envision a future where a bunch of mafioso types walk into NASA and say, “Yeah, you gotta nice space program here, but we’re gonna be making some changes, capice? Dis is Big Vinnie. From now on, you wanna go to da moon, you wanna go into space, you wanna, I dunno, do da thing where you send a rocket to look at space rocks on Mars, badda bing, badda boom… you talk to Big Vinnie foist.” *straightens tie, walks out*

You do get a little explanation of how it works, and why the mob uses it the way it does, but the explanation is brief and, from a logical standpoint, pretty unsatisfying. But, that’s kind of okay.  Sometimes, in science-fiction movies, the fiction is more thought-out than the science, like in Back to the Future, where the focus is on the journey of Marty and his parents, and the science is just a magic car and a photograph that people disappear from a bit at a time. We accept that, or at least it doesn’t bother us too much at the time because we’re enjoying the story (though it’s definitely fun to pick it apart later). Other sci-fi films focus on the science, such as in the time travel film Primer. In Primer, the science was definitely nailed down, but the fiction, in my opinion, was crap (and here fiction includes things like storytelling and acting and making the audience give a shit about anyone on the screen).

I always want both sides of the equation to have equal heft. I want some good science, and I want some good story, and while it’s pretty rare to get both, films can work just fine with just one. Overall, I don’t think Primer is a good film but the makers really did an amazing job of logically portraying time travel, probably the best anyone has done to date, and that part of the film really works. Meanwhile, the time travel in Back to the Future is silly garbage, but the film is fun as hell and has a fantastic script.

Looper basically falls into the Back to the Future camp. The science of their time-travel is redonk, and doesn’t really try to be anything else. The quote at the top of this entry, said by Bruce Willis to his younger self, is more or less the attitude of the film. Another character says roughly the same thing, and these comments are really directed at us, the audience. The mob controls time travel, they send people back 30 years to get whacked, don’t worry about the reasons or how it works because it doesn’t, really, and even if we sort of wish it did, the story Looper tells is entertaining enough without it.

Now. The second thing from the trailer that concerned me: Joseph Gordon-Levitt is covered with facial prosthetics (see disturbing image above) to make him look like a young version of Bruce Willis, since they play the same character at different ages. Even in just a few seconds of trailer footage, I found this kind of distracting.

In the two-hour movie, I found it immensely distracting. The contact lenses, the eyeliner, whatever the hell is going on with his stupid fake eyebrows, the curved nose they stuck on him, the giant oil painting of a bottom lip they glued to his real bottom lip… all of these things just kept me staring at parts of his face for the entire movie through squinted eyes thinking, jeez, I am so distracted right now. Is that a lip or a throw-rug? EYEBROWS! EYEBROWS! Lip. Liiiiiip. Contacts. LIP! Nose. Fake nose. Eyebrows eyebrows LIIIIIIIIP.

But it’s not JUST the make-up. It’s also the constant facial contortion he’s undergoing, rigidly holding a lemon face to approximate Bruce Willis’ sour mug, and the raspy muttering Bruce Willis voice impression, and the attempt at the famous Bruce Willis smirk, and the worst part of ALL OF THESE DISTRACTING DISTRACTIONS that he STILL DOESN’T FUCKING LOOK OR SOUND ANYTHING LIKE BRUCE WILLIS.

THUSLY, there is NO POINT. We would have easily accepted the idea that they were the same person at different ages if the film just told us that. We may have thought initially, well, they don’t really look anything alike, but we wouldn’t be obsessed with it for the entire movie. (LIP. LIIIIIIIP.) We would probably just accept it. Suspending disbelief isn’t always easy, but it’s especially hard when you’re staring at an actor who you like and who you are familiar with while he does a shitty Bruce Willis impression for two hours with a face covered in plastic noses and fake eyebrows and lip-murals. AND, if you insist on covering JGL with weird, distracting make-up, why not have him play dual roles, so the young JGL is just JGL, and the old JGL is JGL covered with old-person make-up? At least that way, while one JGL is covered in stupid, unconvincing make-up, you still have one that isn’t.

Anyway. Those were my two concerns going in, and they remain my two concerns coming out, but they are both ultimately overshadowed greatly by the quality of everything else. There’s a great story to Looper, and the film has plenty of excitement, several WTF moments, some great character development, and if you can let the science go, and do your best to forget JGL is wearing a Bruce Willis mask that doesn’t look anything like Bruce Willis, I think there’s a lot to enjoy. Go see it!

Movies

The Bourne Legacy: Two Reviews

I’m a big fan of the original Bourne trilogy, though by the third I felt they were treading pretty familiar ground. So how is The Bourne Legacy, the Bourne movie without Bourne? Two reviews follow, one short and concise, the other a muddled meandering mishmash of something beginning with M.

Here’s the first:

In attempting to launch a new chapter of the Bourne franchise, The Bourne Legacy sticks too closely to the beats of the original trilogy to feel fresh or new. Shaky-cam fights, rooftop and busy-street chases, and government data-mining scenes have been all been done before, and done better. The best part of this film is Rachel Weisz’s performance, which is fantastic, but Jeremy Renner, as the replacement for Matt Damon, elicits little sympathy or interest.

The second review below. Spoilers follow for all four Bourne movies, so don’t read unless you are planning to lose your memory and travel through the most recognizable cities in Europe to unravel the mystery of your past and then watch all the Bourne movies.

[Read more...]

Movies | Netflix

Warrior: Two Reviews

Warrior, the mixed martial-arts drama, came to Netflix instant, and I watched it, and here are two reviews of it: the first short and spoiler-free, the second, a long floppy flood of finger-farts containing all of the spoilers for absolutely everything in the movie. First review:

While it veers into melodrama and hits a number of incredibly familiar sports-movie beats, strong acting performances and exciting, believable fight scenes turn Warrior into a decent sports film. I hope you noticed my clever wordplay back there. Because it’s a fighting film, and I said hit and beats.

Okay, onto the SPOILERY PLOT SUMMARY OF SPOILERS.

[Read more...]

Movies

The Dark Knight Rises: Two Reviews

I skipped out of work early the other day and went to a matinee of The Dark Knight Rises, and here are two reviews: one short and spoiler free, and one long rambling spoiler-filled sack of arglebargle.

Here’s the first review:

In The Dark Knight Rises, the final film in Christopher Nolan’s Batman trilogy, Batman comes out of a long retirement to face Bane, a supervillain who wants to destroy Gotham City. I thought it was pretty good, though I enjoyed the first two films a lot more.

Okay, onto the SUPER SPOILER plot summary, which contains SPOILERS. SUPER ONES.

[Read more...]

Movies

Prisoners from Space and Jerks from Manhattan

We caught up on a few movies over the weekend, and here are some quick reviews:

Lockout: What I was hoping would be a big, dumb, fun action movie turned out to be just a big, dumb action movie. There’s a prison, in space, filled with horrible villains who are in suspended animation. The president’s daughter goes up to make sure the space prisoners’ rights aren’t being violated, and a prisoner escapes and kills the only two guards who bother to protect the big button labeled “Let All The Prisoners Out Of Stasis.” Naturally, there’s only one guy who can infiltrate the space prison to rescue the president’s daughter, a wise-cracking former special commando agent (or whatever) who is waiting to go to space prison for a crime he totally committed. Oh wait, SORRY, he didn’t commit it, in a shocking twist that’s never been done before ever.

This movie was terrible and no fun and after about forty minutes we just fast-forwarded to the end. Part of the problem, I think was that it was rated PG-13. Look, if you’re going to do a movie about horribly killing a bunch of space prisoners, make it rated R. There’s a scene where Guy Pearce puts an explosive collar around a guy’s neck and it explodes, and they don’t show it. Show it. Show all of the violenceseses. Give yourself a fighting chance to make your dumb movie at least gross-out entertaining. You have people being sucked into space and you don’t even get to see them pop. Lame.

Also, why not let Guy Pearce speak with his normal accent? He’s never been great about hiding his Aussie accent anyway, and Aussie accents are great, and an Aussie accent in space would be even greater. It might seem unlikely that a top American covert commando tactical spec-ops agent assassin (or whatever the damn hell) is Australian, but then it’s unlikely to have a prison in space, so don’t sweat it. You have Peter Stormare, too, and, come on, you’re not fooling anyone by trying to make him sound American. Let him talk how he talks, all Swedish or whatever. Not enough Swedes in space. Plus, the main two bad guys were Scottish, so having all those accents flying around (in space!) would have been fantastic. Being able to not understand any of the dialogue totally would have helped this film.

Friends With Kids: Wealthy gorgeous young-ish people in Manhattan with vaguely defined jobs dress really well and live in beautiful expansive apartments and attend fancy dinners and go jogging a lot in Central Park. But they have problems, you guys! Because raising kids is hard when you have a million dollars and live in New York and rent cabins for ski trips! The stress of interviewing all the full-time nannies you can afford just gets to you. I can totes relate because I am rich and beautiful but sometimes I’m like, AGGH, I haven’t had sex with Maya Rudolph as much as I used to so my life is garbage!

This movie is notable for having an incredible cast of some of my absolute favorite actors/comedians — Jon Hamm, Kristen Wiig, Maya Rudolph, Chris O’Dowd — and essentially doing nothing with them but having them all be kinda whiny beautiful jerks. I love Adam Scott, too, but he’s a unlikable idiot for way longer than he should have been (roughly 99.9% of the film). The director and lead actress was Jennifer Westfeldt, who has been dating Jon Hamm for years, so even if she’s bummed at making a crummy by-the-numbers romantic comedy, at least she can go home and stare at Jon Hamm. No matter how bad a day you’ve had or how bad a movie you’ve made, being able to go home and stare at Jon Hamm has to help.

Wanderlust: Paul Rudd and Jennifer Aniston are beautiful youngish people who live in the city (Manhattan, the city that never sleeps and also the only city that exists anywhere, ever) and are ambitious career types, but then their careers go bust and they have to go live in Atlanta with comical jerk Ken Marino, but along the way they wind up stopping at a hippie commune in Georgia and one of them winds up liking it while the other doesn’t, and then the first one doesn’t like it but the other does, and then conflict, and then resolution. Great bunch of comedians and actors: Justin Theroux, Malin Akerman, Joe Lo Truglio, Jordan Peele, Alan Alda, Todd Barry, Kerri Kenney. Lots of hippie humor. Some dongs and butts, jokes about weed and toilets, and Paul Rudd being inexplicably weird while talking to himself in the mirror. It was okay. Decent rental.

Movies

Prometheus: Two Reviews

Kris and I took a day off work to go see Prometheus on opening day, so eager were we to see the new sci-fi film by Ridley Scott, creator of Alien and Blade Runner. I’ve written two reviews, and here’s the first one:

It’s a good, entertaining monster movie, but not the landmark piece of science-fiction I was hoping for.

Okay, now onto the second review, which is absolutely filled with spoilers, because despite my disappointment in the film as a whole, it was very entertaining, and it is a great deal of fun to talk about in detail.

Spoilerslots of them — below.

[Read more...]

Movies

Summer Movie Fantasy League: Wrap-Up

So! The long, stupid summer of stupid summer movies is winding to a end, and we can now more or less officially close the book on our First Annual Summer Movie Fantasy League.

Heading into August, I only had about an $8 million box office lead over Kris, and we each had a movie left: I had Captain America, and she had Cowboys & Aliens. CA set a high mark with a $65 million domestic opening weekend, and C&A just couldn’t match it, coming in with a little over $36 million.

[Read more...]